Dan: You’ve been doing this [interviewing bands] for a long time?

SD: Yeah…about three minutes now.

<laughter>

SD: You guys have been hard at work for the better part of the last year on a new album…Do you have a title for the project yet?

Todd: Yeah. It’s self-titled. Just “From Good Homes.”

SD: When is it due out?

Todd: Sometime this Summer. There have been a few delays with the record company.

SD: Are there any basic underlying themes behind this album?

Todd: Yeah…there are…<pause> Can I think about that one and get back to you? I think there are things that hold this group of songs together.

SD: I remember hearing a couple of months ago that you were thinking of using “The Giving Tree” as a kind of “theme” for this album.

Todd: Yeah…well, I wouldn’t really say that song would be a “theme” for the album.

SD: Well, we can come back to it…

Todd: Yeah, I want to answer that one, but I want to answer it right because I think that’s a great question.

SD: Thanks…I was just curious about it because I know that, in the past, you’ve had certain songs that leapt but, but I wasn’t sure if maybe
you were going for a unifying theme for this album.

Todd: Well, right now, we’re tentatively ending the album with “The Ferris Wheel Waltz”, and the ideas in that song…there’s moments in that
song where you know, you sorta see things clearly.

SD: That song always really spoke to me…it’s like you’re kinda putting the world “on hold” for a moment…it really comes through both
musically and lyrically in that one.

Todd: Yeah. There’s moments where…like the moment at the top where you see clearly how blessed you are to be alive and there’s a sort of
peacefulness that comes from that…and I think that’s like “Broken Road”…ya know “It’s alright – tonight ‘neath these wide open skies”. And
“Wake” is about that sort of thing…that clarity. On the other hand, it’s [about] difficult[y]…”Decision Song” is about difficulty. Hopefully, by
the end of that song, you’ve come to terms with those tough decisions and those things that are difficult, and then there’s those moments of
clarity which are very peaceful.

SD: Well that seems like a certain “theme” to me.

Todd: But I want to think about that more and answer it better ‘cause that’s really just sort of touching on it.

SD: Which tracks on the upcoming release do you feel the strongest about?

Jamie: “Ride All Night” really gets me.

Brady: I think we’re really pretty pleased with the whole thing.

Todd: “Day Is Alive” came out really different from the way it started, but I kinda like it. There are some guys that played on it…he played
something called a Chamberlain…beautiful part that he played on that…it sounds wonderful. So, I really like that one.

SD: I like the new ending you guys tacked onto “The Giving Tree” last Summer at Waterloo.

Todd: Yeah! That part sounds really nice on the album. We got Alex Acuna from Weather Report to play percussion on that one. He played
wonderful on that.

Brady: Jaco played good on that one too.

<laughter>

SD: I guess if he played at all he must have played pretty damn good!

<laughter>

Todd: The stuff that Liberace played was really nice too.

<laughter>

SD: What are the biggest lessons you learned during the making of “Open Up The Sky” (and to some extent “Hick-Pop Comin’ At Ya!”) that
you applied to the making of this record?

Brady: Stick to your guns.

Jamie: Have a good idea of what you want to do before you get there.

SD: You mean more preparation in pre-production?

Fitz: Yeah, we demo’d up this album a lot more.

Brady: There’s a lot of lessons really…you’ve got to find a place you’re comfortable with. There’s a limited amount of time. You’ve got to be
prepared…and you’ve got to be prepared to put up some fights with people. When you’re signed to a major label, there’s a lot of people that
will preach to you about certain things. It’s really important to stick to your guns…if you believe in what initially inspired the song, it’s
important to stick to that. There’s people coming at you from all different directions saying “Do this” or “Do that.”

SD: Lots of pressure huh?

Dan: Yeah…producers and anyone there with musical ears will be doing that.

SD: This actually touches a little bit on something else I wanted to ask. I saw you guys playing in bars years ago as an independant act, and
then I saw you go through the whole signing process. It seems to me like the music business is a lot less forgiving these days than it used to
be. From what I’ve read, bands in the Seventies would get a lot more leeway and time to grow…whereas now it seems like the record
companies just want to suck bands dry right away.

Fitz: The favorite quote of record companies nowadays is “I don’t hear a hit”…you know? I remember hearing about Pink Floyd when they
were making their first three or four records, and they would just call up their people and say “Ok, we’re ready to record!”, and they’d go in and
record…and that was it!

SD: It seems like back in the Sixties there was more of the “hit” mentality like we’re seeing today.

Fitz: Motown back in the Sixties was like that…for sure.

SD: Well, with the Seventies, bands really had to struggle to break that mentality…I can’t help but wonder if the cycle is coming around
again today and it’s gonna take some bands to really break that “hit” mentality again.

Dan: I don’t think it’s gonna take the bands to break that…it’s gonna take the record companies…and the radio.

SD: Well, I guess I mean that it’s gonna take bands with a lot of perseverance to get through these times. I agree that it’s gonna take more
than just the bands to change things…What were the best things about being a “signed” band vs. an independant band?

Dan: It let us take a year off the road. We could get together and play, rather than having to play every night.

SD: So it gave you a little breathing space and a fresh perspective?

Dan: Well, we could still make a living and be able to pay each other…and at the same time not have to play out every night. It gave us time to
get together and try to write. We could get back into that space where we could try to create again…instead of having to always be driving
somewhere.

SD: What were your expectations of the band’s previous releases? I know you guys have been slugging it out on the road full time since ‘89
or ‘90. When you got signed, were you expecting more of an overnight success than the band has experienced?

Todd: Well, you know…it’s really about the journey. I mean, there are expectations that always come along…I think there’d probably be a
different answer from each guy in the band actually.

Dan: Well, there are sort of unspoken expectations…I mean, once you’ve got this huge record company behind you, there are expectations that
something bigger is going to happen than what we could do by ourselves. You don’t know what that is exactly…

Todd: Well, distribution for one thing. You expect that. You expect your records to be in stores. Before, we just sold them at our shows.
And…well, the first time we were able to go across the nation, we thought “Wow!…we’re going to go to Detroit, and we’ve never been there,
and we’re going to meet these people from the label and they’re going to tell us our record’s there and we’re going to do this radio thing, and
all these things are going to be orchestrated for us.” The lesson we learned about that is that the more things you do for yourself, the better off
you are in the long run, because these record companies have a lot of other bands.

SD: Here’s another loaded question for you guys: Are there any specific gigs that stand out in your memory as really amazing
experiences…where you had that feeling like “There’s nowhere in the world I’d rather be!”?…are there any gigs that really stand out for you
like that?

Jamie: Yeah…Waterloo Village [in Stanhope, NJ]…the first time we played there.

SD: Was that ‘94?

Jamie: I think it was ‘93.

Todd: There were two back-to-back shows at Irving Plaza [in New York City] back in September of ‘95?…’96?…right before we stopped playing
for a while (note: Sept. 29 & 30, 1995 -S.D.). Anyway, for me those stand out…I thought those shows were great. At the time, I remember
thinking “That’s as good as we get…that’s as good as we can play.” We hit something…we sorta peaked out at that. You go through phases
where your shows are changing in certain directions…and at the time, our shows just sorta built up to those two shows. I don’t know…it might
just be me, but in my mind those two shows just really hit a peak. Then after that, we started working with new material and working that into
the shows, and you’re kinda back in an exploring period.

SD: Yeah, I imagine it takes some time to feel like you’ve gotten the new songs “up to speed.”

Todd: And then there are some that just stand out in your mind as being so much fun! I remember we were playing last summer at the Rickey
Farm (note: Vernon, NJ 6/30/96 -S.D.), and we’d just started our encore and we ended up doing three encores…the encore just ended up being
like another set!

SD: I’ve got that tape!

Todd: That one was really fun.

SD: You guys even busted out the Dylan tune that night…”You Ain’t Goin Nowhere”

Brady: Yeah!

Dan: There was one…I mean, I don’t think it’s the best we’ve ever played or anything, but it just sorta stands out…we opened up for David
Byrne at 7 Willow Street [in Portchester, NY], and we had like one microphone for the entire band! [to Todd] You were plugged into David
Byrne’s amp…Finally, David had been like “You guys need some more sound?!”, so Todd was plugged into David Byrne’s guitar amp, and
Brady was plugged into his bass amp, and Fitz was playing my sax cases or something…

Fitz: Yeah!…we had to do an acoustic set.

Dan: We had to do an acoustic set, so we did this set with like one microphone plugged in and these two amps…it just turned into like this
really funky experiment.

SD: I guess that’s called “adaptability!”

Dan: Yeah!

Jamie: Then there was the first time at Irving Plaza [in New York City] when we opened for Hot Tuna.

Dan: Yeah…we had four microphones that night!

Fitz: Yeah!…that was actually a great night!

Dan: Fitz played this set-up of like different size cardboard boxes…we couldn’t use a drum set.

SD: Oh my God…

Fitz: There was a stipulation that we had to be an acoustic act to open up…it was fun! I got all these different size and different colored
cardboard boxes, and I was beating the shit out of’em all night! It was a lot of fun!

Dan: There was a mic inside one of the boxes.

Fitz: Yeah! People loved that!

SD: That’s when Cal’s really pulling his hair out huh?!

Cal: Na…ya gotta do what ya gotta do.

Todd: What was that other one?…Portland, Oregon! I remember that gig.

Cal: Oh! That was hot!

Brady: Ya know…when you’re on the road, some nights you don’t know what to expect. There were a couple of nights on the last tour (note:
the band’s first nationwide tour…in support of “Open Up The Sky” -S.D.) where we just played the best we’ve ever played…and you can never
guess what’s going to happen.

Fitz: Vail! Those two nights in Vail!

Brady: Yeah!

Todd: Yeah! That was really good!

Fitz: Just out of nowhere…just the best ever!

Brady: Yeah…out of nowhere…I mean, you could be draggin’ your ass around town and then “Bam!”

Dan: You walk into a place and you think “Wow…this place sucks!”, and then you get on stage and it just happens!

Fitz: You kinda know it from the first song too…on the great nights, it just happens from the first fuckin’ song! And then you know it:
“Whoa…this is gonna be an incredible night!”…something about it…you just know it.

Dan: It’s just like surfing after that…you just try to keep riding that wave for the rest of the show.

Todd: I thought that one place in Colorado…where was that?…somewhere in Colorado…we played two sets…it was just a little place…what’s
that?…”Grand Junc…”?

SD: Grand Junction?

Todd: No…not Grand Junction.

Dan: Crested Butte?

Todd: No.

Cal: Fort Collins.

Todd: Yeah! Fort Collins!

Brady: Oh…that was a great one!…that was intense!

Todd: It was magical. There was just really a great vibe from the audience…really a beautiful mood in the room.

Brady: I think that’s what happens. It all kinda comes together! It’s not just “Wow! We played great that night.” It’s the crowd too. The crowd
is such a big part of it. We’ve had some great nights in New Hampshire at the Stone Church [in New Market, NH]. And it’s the rooms
too…different rooms give off different vibes.

Todd: Yeah…certain rooms…like, I remember at Granny Killam’s [in Portland, ME] we’ve had all these great shows. So much fun. The audience is
always so much fun.

Dan: Bogie’s [in Albany, NY] is like that. We always walk away from Bogie’s with a great feeling.

Fitz: Yeah…that has to be one of the most consistent rooms for great shows for us.

SD: That was the first place I ever saw you guys! It was May of ‘93. I was taking a college course in Albany, and I went out with some friends
one night. We were just looking to find a good blues band and booze…ya know, a nice smoky room…

Todd: Yeah.

SD: Anyway, we ended up at Bogie’s and we were so early we missed the cover charge. We were the only people in the place. We shot pool
for a couple of hours and drank. The people at the bar said you guys were good, so we stayed. When you took the stage, you just blew us
away. I was instantly hooked. Instant fan!

Dan: That’s a funny place too…’cause the dressing room is freezing, and all this shit sucks about it, and you’re like “Man, why do we keep
doing this?!”…and then we get on stage and, when we’re all done at the end of the night, it’s like “Fuck! This is why!”…it’s just one of those
rooms, ya know?

Jamie: Stone Church in New Market, New Hampshire is always like that…it’s always nice.

Todd: Those shows we did with…who was opening?…what’s her name?…

Fitz: Janet?…

Todd: Janet. Those shows were really sweet!

Dan: One of those ones at the Great American Music Hall was killer too.

Brady: With Leftover Salmon!

Dan: Yeah. That was a really good show.

Brady: We’ve had just as many bad shows too!

<laughter>

Dan: We’re not like ‘tooting our horns’ or anything!…you remember the good ones more. It depends on your mood too. The ones where we
sucked aren’t really interesting. Remember when we were late to that place in Phoenix?

Todd: Yeah!

Fitz: That was crazy!

Dan: We were coming from San Diego to Tempe and our tour manager at the time was convinced that it was not an hour earlier, and we’re
almost there…and we passed like a bank or something…

SD: Oh shit…

Dan: Yeah…we realized that the time change is an hour earlier…we were playing Tom Jones and drinking warm champagne…

Brady: In the van!

<laughter>

Dan: So, we get there, and we just like threw it together in 20 minutes and then we just rocked…and that was it! We were done.

Fitz: ‘Cause we were an opening act. There were enough people in that town that knew of us that they waited for us to show up. We showed
up and within like 15 minutes of showing up, we were on stage and playing, and I had to play this other guy’s drum set…and so, usually you
know I close my eyes a lot when I’m playing…so I’m like smashing my hands into the cymbals, and I was a bloody mess by the end of the
set…but it was a great set!

Todd: <laughing> You were bleeding on the guy’s drum set?

Fitz: Yeah…there was blood all over his cymbals.

SD: I can picture the guy finding chunks of flesh on his drums…

<laughter>

Brady: I think I smacked something on that guy’s bass amp too…I remember like whacking my face on something.

SD: Ok…here’s another “loaded question”…what are your favorite From Good Homes songs…not just from what’s on the records. I
understand that you probably have favorites at any give time, and that probably changes with time, but if you had to pick songs right
now…what’s really speaking to you right now?

Dan: That’s a tough one.

Brady: Probably [The] “Butterfly” [& The Tree].

Todd: Yeah…”Butterfly”.

<pause>

SD: Wow!…a consensus?

Fitz: Yeah…actually, that’s the one I was going to say too. I like “Bang That Drum” a lot too.

Dan: It depends almost night-to-night.

Todd: Yeah!

Brady: Yeah!

Dan: You don’t really know until you get there…and then it’s just like “This song is fucking great!”

<pause>

Todd: I like “Seasons Of The Soul”…That’s my favorite.

Dan: I’ve always liked “Forgiveness”…I always thought that, for some reason, that song’s one of those ones that just takes it somewhere else.
A lot of the ballads do it for me. I mean, a lot of times we can only get one in the set, but I like those.

SD: Yeah…I’ve always liked “Boulevard Of Dreams.”

Jamie: We did that recently.

SD: Really?! It’s funny that you mentioned that Waterloo’94 show earlier…I was at that show, and I would have to rate it as one of the top
five shows I’ve ever seen ANY band play.

Dan: Was that when “Hick-Pop” was released?

SD: Yeah.

Dan: That was a good show.

SD: If nothing else, I thank you all for that! Anyway, here’s another question for you: Do you guys enjoy interacting with your fans, or do
you find it to be kind of awkward sometimes? How are you dealing with people walking up to you all the time wanting to chat?…I know a
lot of bands seem to get jaded…do you still enjoy the fan interaction?

Todd: It’s great, I think.

Jamie: It’s always nice to hear a compliment.

Dan: You know, it’s a weird thing, because sometimes we’ll come off stage and, as a band, we’ll be like “We sucked!…This show just wasn’t
happening.”…and then somebody that you’ve never met in your life walks up and says “This is one of the best shows I’ve ever seen in my
life!”, and you’re just like “Wow!…You should see us when we’re good!”…so it’s always a great thing.

Brady: I mean, we’re out there to communicate and have an experience with these people.

Jamie: We love fans!

<laughter>

Todd: Our fans are generally pretty nice folks.

Brady: [with funny cockeyed expression on his face] …Except that person camped out on my yard!

<laughter>

SD: That was me.

<laughter>

Brady: That was you?!

<laughter>

Dan: Brady, you don’t have a yard! You live in New York!

Brady: Well, ok…camped out on my terrace.

<laughter>

Todd: It’s really good being out playing again too, ‘cause you sorta get to hear what people have to say. Everybody has a different opinion
too…Everybody! Every person you talk too.

Fitz: Yeah, some are so passionate about it too…like “No!, I don’t like that song at all, and I love this song!”

Brady: That’s why we try to change things up a lot too…to try to keep things fresh for ourselves, and also to keep other people excited.

SD: Yeah! I’ve seen you guys back-to-back nights before, in addition to last night and tonight, and I don’t think I’ve ever seen you play the
same set twice. That’s a refreshing thing actually. You’ll go see a lot of bands, and they’ll change one or two songs and think they’re making
some huge set change, but it’s really not.

Fitz: When we were showcasing for record companies, we’d usually play pretty much the same set.

SD: I guess when you’re doing something like that, you want to pick the songs that really feel the strongest and then rehearse them until
they feel even stronger?

Fitz: Yeah.

Todd: There have been a lot of fans that have come up to me and gotten really mad that we’d played the same kind of shows…they’ve voiced
that opinion a lot.

Fitz: [to Todd] Especially your girlfriend!

Todd: Yeah!

Fitz: Erin was always the harshest!

SD: Yeah!…I guess the ones that HAVE to keep seeing you guys over and over want some variety!

<laughter>

Dan: Todd’s girlfriend and my girlfriend would team-up!

Brady: Yeah…one night, we let Dan’s girlfriend write the set. We were so sick of hearing about it…we were backstage, and we didn’t know what
to play, and she was like “Play this and play that”…and we were like “Well, you do it then!”

Fitz: That was at Bogie’s right?

Brady: Na…that was at 7 Willow Street…so, anyway she wrote the set.

Fitz: I worked my ass off that night! It was a workout. We were like “You’re a fucking SLAVEDRIVER!!!” It was all super upbeat
stuff…throughout the whole set!

Brady: …And Todd’s [stepbrother??] wrote up one down South a couple of months ago…so hey…ya know, if anybody has a set suggestion…

SD: Well, hey…I requested “Bang That Drum” last night…but no! No…you play it TONIGHT!

Fitz: That would be cool actually to have fans write up a set!…you know? Just tell’em that we’ve got an hour and a half set…come up with a
primo hour and a half set.

Todd: Yeah!

Jamie: We should have a contest and award that as a prize.

Fitz: Of course we’d have veto power over it.

SD: That would be bizarre to catch you guys playing some really old tunes…I remember on the last big tour, when you played Philadelphia
in early ‘95, you busted out an encore of six really old tunes…stuff like “Cheatin’ At The Club”.

Todd: Yeah! I remember that!

Brady: Yeah! That was a great night.

Fitz: You know what’s really funny about that night?…right before we played, I was downstairs talking to Scott Karuso [?]…[to Todd]
remember he used to come out to all of our early gigs?

Todd: Oh yeah!

Fitz: And he knew all of that early stuff, and he said “How about this one?”, and I said “We haven’t played any of the stuff you just mentioned
for SO long…I doubt you’re going to hear any of it.” And then we played everything he mentioned! I was like “I can’t believe how lucky you
are, because we haven’t played that shit in YEARS!”

Todd: It’s great though ‘cause sometimes…like a while ago…some guy was so passionate. He came up to me and was just like “You’ve gotta
play “Scudder’s Lane”, and went into this whole thing about that song. It just sort of inspired me again to, not only just to remember…<pause>

SD: …how it GOES?!

Todd: Well, to remember what that song means, and the feelings that it can tap into. Sometimes you forget, and the fans can really remind you
what it’s about, ya know?

SD: I’ll put in my personal plug here…but you guys can’t play it tomorrow night when you’re out of town. You’ve got to play it the next time
you’re here in D.C! I’ve always liked “Long Walk Home”.

Brady: Which one?

SD: One and two, but if I had to pick, I really like two. Anyway, I’ll stop with the plugs…here’s another question: Is it difficult for you as
people to deal with being in an up-and-coming working band? It’s obviously very demanding not being at home a lot. I guess it’s something
you’ve gotten used to by now…but is it hard balancing your personal life with work?

Jamie: It works better as a goat.

SD: What’s that?

Jamie: It works better as a goat.

<pause>

SD: As a GOAT?!

<laughter>

Brady: He says that once in a while…we don’t know what it means.

<laughter>

Jamie: [to the other guys:] No…he said “you, as people”…

SD: Ah! I see. I get it…I guess I walked into that one.

Paul: (laughing, sarcastically quoting Brady) “He says that once in a while. We don’t know what it means.”

Brady: It’s a completely different thing you know? You get on the road, and you get lost in this capsule. It’s nothing to do with the outside
world or your home or anything. It’s unbelievable

Jamie: Totally different head spaces…

SD: Is it hard to balance the two?…I mean, when you guys go home…you obviously all have some sort of “normal” family life…

Jamie: There’s a period of decompression.

Todd: <laughing> “decompression”…

Brady: I think so. Anytime you’re traveling, it’s different.

Dan: Especially time schedules too, ya know? When you’re out on the road, you’re staying up really late…

SD: …doing stupid-ass interviews?!

<laughter>

Jamie: Also, just staying in one spot for a length of time is an adjustment.

Dan: Yeah! I remember a couple of years ago, when we were out on the road constantly, I guess we were off for Thanksgiving, and I went over
to my parents place. It was the first time I had been in one place for three days [straight] in so many months and I didn’t know what to do! By
the second day, I was walking around going “I can’t handle this!…I gotta get out of here!”

Brady: I like being on the road…but sometimes it is really hard.

SD: I imagine it’s difficult during the transition period…when you’re getting used to being back out on the road or just getting home. I guess
it’s hard to make that jump?

Brady: Yeah. You lose touch with your girlfriend or your wife. But, I hope that maybe as we get a little bit more popular, things might be easier.

SD: When you get to the point where you can take more breaks?

Brady: Well, not so much that…

Dan: [in mock British accent, a la Spinal Tap:] When we each get our own fuckin’ bus!

<laughter>

Brady: Even a tour bus would be nice.

SD: That’s when you guys don’t have to talk to each other any more, right?! You can just be friends on stage, right?!

Dan: [again, in mock British accent:] I’ll be on my bus if ya need me!

SD: We’ll be reading the stories about you guys in the tabloids at that point!

<laughter>

SD: Ok, we’re coming to the end…I swear! From Good Homes appears to have a very dedicated, almost cult-like fan following. What is the
state of the band’s morale heading into this new album and tour? Has it been disheartening that you guys weren’t more of an overnight
success?

<laughter>

Cal: Ten year overnight success?

<laughter>

SD: It sounds like you really draw from the FAN vibe though. Do you have good morale coming into this upcoming album and tour?

Dan: Yeah, once it’s released we’ll have great morale!

<laugher>

Todd: Yeah, I think so. We just had a good break.

Brady: Plus, we’ve been playing with some good bands too.

Jamie: Like tonight…I mean we’re playing to a full house in D.C.

SD: I was talking to Mylee recently, as well as Paul over there, and I was just saying how, as a fan, it’s almost painful to see you guys as an
opening act sometimes. I mean, it’s great seeing you play, but you’ll be jamming and right when it looks like you’re really getting warmed
up, you’re like “Goodnight!”

Paul: Hey…shut up!

<laughter>

Jamie: It’s Paul’s fault mostly.

Dan: We’d be able to play for longer if he didn’t piss people off.

<laughter>

SD: Well, this is my last question…and Dan and I were talking about this downstairs earlier. It seems like a lot of the bands in the music
business that really have longevity…bands that really make a CAREER out of it, like 20 or 25 years as opposed to overnight successes that
just come and go…it seems like those bands really have to work at it for years to get to a certain level…I was just kind of curious about your
outlook on this. A lot of your fans right now are concerned that you guys will hang in there. I guess this is partially a plug from the fans to
you guys: We hope that you guys will stick it out even though it hasn’t happened overnight. We’re just curious if you guys will stick it out
and go for another ten years if the record companies AREN’T supporting you. I guess there’s a certain degree of determination that it took to
get to this point, but are you prepared to keep this going?

Jamie: I think as long as we get a lot of good fan response at the shows, we’ll probably keep going no matter what.

Dan: We’ve been able to make a living this far along. I mean, nobody’s a “spring chicken” here.

Brady: Maybe a goat!…

<laughter>

Jamie: When we were recording “Open Up The Sky”, we went to see Townes Van Zandt at the Maple Room in New Orleans, and there was
one thing that really inspired me…I totally related…I mean, here’s this guy in his fifties, and he was getting kinda feeble. He was having a hard
time playing. He was a little shaky. But he said “I’m going to keep playing as long as I can.” I think that’s probably the way we are too.

SD: That’s refreshing to hear!

Dan: No matter how feeble Jamie gets…

Jamie: Shut up!

<laughter>

Brady: You old goat!!

<laughter>

Jamie: I can’t wait until you guys are my age.

<laughter>

Brady: You’re still going to be older!

<laughter>

SD: Well, I won’t bug you guys any longer. I just want to say “thanks” and I really appreciate you taking the time!